This was terrific http://www.sydneyartsguide.com.au/willoughby-theatre-company-presents-mary-poppins-the-concourse-chatswood/#more-36444
Willoughy Theatre presented the now-standard much loved
Disney/Cameron Macintosh version, with small adjustments from the London
version which was seen here at the Capitol several years ago.Matthew
Bourne’s choreography is not retained but rather altered and adapted by
Declan Moore and Janina Hamerlok .
Set in Edwardian times, the ever popular MARY POPPINS is based on the
books by Australian author P.L.Travers, and narrates the tale of the
rather dysfunctional Banks family, whose lives are changed completely
and unexpectedly with the arrival of a new nanny, Mary Poppins.
The Banks children, Michael and Jane, have driven to distraction a
harassed series of nannies of late. Will Mary Poppins be able to cope?
Does she fulfill the selection criteria of both parents and children?
You’ll have to see the show to find out …
Under the fine direction of Declan Moore, there were
wizard special effects, splendid versatile unfolding/sliding sets ,
excellent use of projections and back drops , masses of bright and
colourful costumes and several HUGE production numbers that brought the
house down. Not forgetting a terrific spectacular starry finale . The
casting was strong with excellent performances all round. The orchestra
as led by musical director Andrew Bartle was splendid.
In the first half, the huge breathless show stopper number is the
almost impossible to spell or pronounce
‘Supercalifragilisticexpialidocious’.
I saw the ‘team Bert’ cast of children. There were huge casts
especially for Supercal and Step In Time for example , both exuberantly
performed and the audience roared its approval.
Leading lady Michaele Leisk as Mary Poppins is super
efficient , briskly elegant and yet also a bit cold and aloof perhaps –
possibly a being from another world, a wish fulfillment dream nanny ?
She has wonderful fun, looks stunning with her iconic bag and parrot
umbrella , and sings and dances splendidly, weaving her spell over the
audience and the Banks household.
Born to play the role of Bert, tall gangly Matt Hourigan
was magnificent in his performance , from his first appearance
mesmerizing the audience as the good hearted , at times rather cheeky
chimney sweep ,narrator, artist, dancer, and general theatrical magic
maker.
Chim Chim Cher-ee was marvellous and the extended Step in Time
with his tap dancing solo thrilled , dazzled and had the audience
cheering. His subtler, quieter moments are handled well and contrast
delightfully with the epic production numbers.
Strict precision and order are what are required by the actor playing George Banks, and Brad Clarke
develops his seemingly rather pompous ,cold and wooden character to
reveal the sad, torn, harried and stressed man inside in a finely
nuanced performance. His uncertain situation– facing a financial crash
and unemployment– is still extremely relevant today.
Nina Marsh is terrific as Mrs Banks, an exquisite picture of
Edwardian loveliness. We follow how her character grows stronger as she
attempts to save the rather stormy Banks marriage and deal with almost
impossible domestic situations.
The children Jane and Michael were delightfully played by Stella Constable and Nicholas Cradock at the performance I saw. Overworked , stressed Mrs Brill the cook/housekeeper was wonderfully played by Donna Fitzgerald and Kris Fenessy had a great time as the boneless, clumsy Robertson Ay.
As the ‘nastiest nanny in the world’ , ‘The Holy Terror ‘devilish Miss Andrew, Karen Oliver
in severe, disapproving black has great fun stealing the show with
enormous relish. The confrontation scene between her and Mary Poppins (
Brimstone and Treacle) saw her portrayed as a pantomime villain with
green and red lighting .
Playing the Game and Feed the Birds were presented
with a light touch, not quite as dark as they might be, and Neleus the
Statue’s search for his father is quite downplayed .
Graced with the delightful presence of the Mayor of
Willoughby in the audience , this terrific production by Willoughby
Theatre Company had the audience enchanted. It dazzled and delighted.
Quick – if you haven’t already booked, almost the entire season is
already sold out but extra performances have been added due to public
demand . Check with the box office now !
Running time allow 3 hours ( roughly ) including one interval
MARY POPPINS is playing at the Concourse until October 30.
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